Is K-Pop a genre?
With the appearance of the all-American, self-proclaimed “K-Pop” group EXP Edition, the opening of K-pop cram schools in New York, and Jaden Smith announcing his intention to “drop a K-Pop single“, it was probably inevitable that fans and critics of K-Pop would eventually weigh in on the question
of what exactly K-Pop is; specifically, whether it is by definition a thing made only by Koreans, or whether it is a genre (like rock, hip hop, jazz, and many others) that has escaped the boundaries of its birthplace and is now open to any performer anywhere to borrow, imitate, or appropriate.
Last week, two K-blog heavyweights weighed in on the issue. “The Korean”, of the popular Ask a Korean blog argued that K-Pop is not a genre, and that the term refers to any form of popular music that is a product of Korea (read his full take on the subject here). Roboseyo, writing on his long-running, eponymous blog, argues that K-Pop is in fact a genre, and notes that the label is not used to refer to all music out of Korea. Whatever the case, if you find the question interesting, these are two considered opinions very much worth reading in their entirety.
Siesta, Korean style
Koreans are one of the most-sleep deprived groups of people in the world, clocking fewer hours of sleep than any other OECD country. Because of this, it’s still common to see commuters dozing on trains and buses, students nodding at their desks, and office workers consuming much more caffeine than was the case even a few years ago.
Since 2014, sleep-deprived office workers in Seoul have had another option to remedy their lack of shut-eye: the opportunity to get some quality downtime in a “sleep café”, which are places where visitors can pay a small fee and crash for a while before heading back to work. Personally I am cheering for these places to take off – many times have a wished there were a place to crash other than my office chair or local Starbucks sofa.
On the appeal of K-dramas in Malaysia
Though some Westerners these days are tuning into Korean dramas, many others (like myself) often find it hard to understand the appeal. Apparently this is true of a lot of Asian observers as well, like the staff at Cilisos, a Malaysian news magazine, who recently asked Malaysian fans of K-dramas what they liked about them. The resulting comments were interesting and touched on everything from the lack of
lighthearted fare from Hollywood, the focus on emotional rather physical intimacy, and the fact that Korean dramas often end after one season (which makes committing to a K-drama seem a lot less daunting than diving into an American serial drama).
Though I occasionally tune into whatever current drama my wife and kids are watching at home, I still don’t know if I’m sold, but it’s good to keep in mind that much of that stuff wasn’t made with middle-aged American guys in mind. To paraphrase Bill Clinton’s campaign manager James Carville, “It’s the Asian market, stupid!”